This work stands among the final pieces that bring to a close the cycle of conceptual reinterpretations based on the music of Vangelis, in this case inspired by Chromatique from the album Opéra Sauvage.

At the center of the composition emerges a cross, a universal symbol of spirituality and faith, acting as both the visual and conceptual axis of the work. The surrounding currents of paint evoke tears, used here as a metaphor for the sadness caused by the loss—or the gradual hardening—of spiritual sensitivity in the contemporary world.

The inspiration does not stem solely from the everyday movement of the city, but also from the tones of the sky at that moment when light begins to break through, marking a transition between the earthly and the transcendent.